“Not to know what has transacted in former times is to be always a child. If no use is made of past ages, the world must remain always in the infancy of knowledge” – Cicero

Earlier this year, and for the first time in my practice, we determined a building contract. The project was a small residential addition – we still do them occasionally – and the client was a committed fan of the office. The builder struggled through COVID lockdowns but missed practical completion by a country mile. All the usual warning signs had been there months earlier, so we weren’t really surprised when work on site eventually ground to a halt.

We did all we could to help the builder over the line but to no avail. In the end, though still trading, he couldn’t get his sub-contractors to finish the job. My associate Hayley Franklin and I discussed what to do.

We came to the (by then inevitable) conclusion that the contract must be determined and a new builder appointed. More importantly we agreed that our client should appoint a solicitor and that they should terminate on our client’s behalf.

Other issues – defects, warranties and warranty insurance, finding a new builder, and so on were debated at length. Practice notes were read.

Eventually we had a game plan to take back to our client. Not long after agreeing on our strategy we ran into Peter Elliott in the city. Before COVID we would occasionally see Peter and the writer Joe Rollo at the Melbourne Wine Room for a pre-work coffee, interrupting their daily ritual to discuss tomato growing, the demise of the Carlton Football Club and other important things.

When we mentioned our problem project and the reluctant decision to terminate, Peter said immediately ‘you should have your client appoint a solicitor and get them to handle the termination.’ We both smiled and agreed. Afterwards we discussed how reassuring it was to have such an experienced and eminent practitioner come to the same conclusion that we had. Peter’s five decades of exceptional practice was acknowledged a few years ago with the Australian Institute of Architects Gold Medal.

That chance encounter and brief conversation helped underline our position. The contract was mutually terminated, a new builder appointed, and our client loves her new house.

Generation Exchange is a mentoring program that connects our most senior architects with our emerging practitioners in an informal forum. In its own way Generation Exchange attempts to recreate casual encounters like the one I’ve just described. Our senior practitioners have won and lost a thousand battles. They survive not just to tell their tales but to offer reassurance and sustenance to their successors. Their stories and counsel are invaluable, and their experience has been gained over decades of dedication to our profession.

Each Generation Exchange session is loosely based around issues encountered in the day-to-day of practice – clients, builders, disputes, construction, running an office, mental health, equity and so on. Our first session entitled ‘Don’t Panic’ was held in July and five pre-eminent Victorian practitioners – Greg Burgess, Maggie Edmond, Ann Keddie, Max May and Peter Sanders – became our inaugural panel of wise elders, sharing their wealth of knowledge and experience in practice with a (socially distanced) room of young architects, first in a panel discussion and then informally, over coffee and around conducively small tables, young practitioners had the chance to chat with their senior colleagues.

House on the Coast | SGA | Photographer: Earl Carter

At the end of An American Architecture Frank Lloyd Wright offers advice to the young architect: “Build your first buildings as far away from where you live as possible!” The reality of practice can be confronting.

What Wright was really saying is that it takes decades, not days, to learn how to produce architecture. Early in our careers it is simply a fact that our ideas and aspirations are running well ahead of our ability to deliver them.

Navigating a way through this period can be daunting and the reassurance that there is an older generation of architects available to contribute their wisdom and knowledge to younger practitioners is welcome. As well as nurturing the profession, our service to, and role in the community is bolstered by the consolidated combination of youth and experience and our profession is more collegial and better for it.

Our agenda with Generation Exchange is to build a pool of senior architects drawn from diverse backgrounds, still practising or recently retired, who are ready, willing and able to share their experience with their younger colleagues.

In the rapid exchange of information that is now a daily reality of contemporary practice there seems to be little time for wisdom. Speed rules. Communication is dynamic. Considered correspondence remains an obligation of our profession yet the hourly deluge of emails that we all deal with in practice is anathema to this fundamentally important component of our practising modality.

It was fascinating to hear how much practice has changed in this respect since our panelists first began their working lives as far back as the 1960s. Carbon copies, typewriters and landlines were the order of the day back then. Now we Zoom. In the inaugural Generation Exchange we were privileged to hear stories from each of our panelists. The theme Don’t Panic was chosen because we have all had those moments in practice – ‘did I forget to?’ ‘should I have?’ ‘I don’t know the answer to’ and so on and it was entertaining and reassuring for young practitioners to know that pretty much everything they are encountering at the start of their practising lives has been seen and dealt with before.

Ann Keddie and Maggie Edmond spoke of their roles as women in the profession. We learned that Pete Sanders had worked as a young architect in Le Corbusier’s office in Chandigarh and (Pritzker Prize winner) BV Doshi allowed Pete to sleep on the floor of his studio. Max May began life as an engineering student and first wanted to be a civil engineer, and former Hawthorn footballer and Australian Institute of Architects Gold Medalist Greg Burgess spoke beautifully about the power of architecture and its capacity to touch the human spirit.

My life in architecture began early. My father David was a well-known Melbourne practitioner and I spent a fair chunk of my childhood on building sites and in his drawing office. A couple of months after I graduated from the University of Melbourne, dad was diagnosed with cancer and he died about twelve months after that, at the relatively young age of 56. I helped out on a few projects with him during that period when his health was failing. His wealth of knowledge was untold and his drawing skill, sublime. I think I probably drove him crazy with questions. ‘Hey, um, dad?’ ‘Hey, um, yeah’ he would reply. After he died I had to wrap up a couple of his projects – minor in hindsight but at the time quite terrifying – a dispute over the standard of paint finish in a small factory project, contract variations on a residential job, that sort of thing. My safety net was gone and I realised how little I knew and how much there was to learn. There were so many more questions I wanted to ask.

If Generation Exchange provides support to our young practitioners, it aspires to do so in a parental way. Equally important, it is an opportunity to acknowledge and respect the voices of our most senior practitioners – to hear and learn from their stories and to thank them for nurturing and protecting our profession.

Published online:
18 Oct 2021

Architect Victoria
Edition 1

More from Architect victoria

NGV Triennial Outdoor Pavilions: BoardGrove Architects

For the National Gallery of Victoria’s 2020 Triennial outdoor program, BoardGrove Architects designed a collection of transient pavilions situated in the gallery’s Grollo Equiset Garden. Drawing on their diverse experience, BoardGrove designed a novel response that skillfully responded to the project brief’s size and budget.

Read more

Revisited: Some aspects of housing overseas

With more funding available than we’ve seen in a generation, there is the will to reimagine social housing sites. Architects, urban designers and public servants have duly taken up the subject. But how to frame the problem?

Read more

Brunswick Lean-to: Blair Smith Architecture

Brunswick Lean-to is a discrete addition to a heritage-listed weatherboard cottage. The project draws upon the ubiquitous lean-to it replaced; a colloquial structure often overlooked or demolished in the event of an extension. Blair Smith Architecture demonstrates sensitivity and depth of thought, addressing opportunities and constraints through site-responsive spatial planning and the packaging of multifunctional elements in a robust, utilitarian structure.

Read more

Process over product

Breathe Architecture’s project for Aboriginal Housing Victoria has been approached with rigour to deliver a high-quality project embedded with sustainable design principles and cultural engagement.

Read more

This is not my Country

This is not my Country, and because it’s not my Country, I cannot speak on its behalf. This statement is true for me, and almost every built environment professional in Australia, so how can we work on and with the Countries that we are responsible for fundamentally modifying?

Read more

Social housing architecture

A visual essay of contemporary social housing projects in Melbourne and regional Victoria from some of the architects and providers working in this important space.

Read more

Architect at Home: Nick Harding

Interview with Nick Harding, Principal of Ha Architecture.

Read more

The value of being a carbon neutral practice

Jeremy McLeod and Madeline Sewall of Breathe Architecture on sustainability, right-sized housing and building more with less.

Read more

Architecture as host

Can we improve the responsiveness of our architecture through our own experience?

Read more

Profile: Fowler & Ward

Interview with studio founders Jessie Fowler and Tara Ward.

Read more

Sorrento House: Cera Stribley

Learning from the existing architecture, Cera Stribley developed a framework for making subtle alterations synonymous with the original house.

Read more

Editorial: Lost for words

How we understand architecture, how we share its values and how architecture is situated within our changing world, is literally unthinkable without the written word.

Read more

Written and curated

Architectural journals are powerful agents in the story of architecture.

Read more

Profit, publish, and perish

Words in the university sector

Read more

Humour is a universal language

Sharp wit and a touch of well-timed sarcasm can be the first door for a populist audience to walk through in contemplating what is right and what is fundamentally wrong with our modern built environment.

Read more

Between words and images

In the digital age there’s every reason to think that the photograph is taking over as the medium for how we read and understand architecture.

Read more

Communication and disruption

The architecture profession has a growing challenge with how we communicate our knowledge. This challenge is a broad one that spans universities to practice, public outreach and advocacy. While our ideas and knowledge are as vital as ever, our ability to effectively communicate them is changing.

Read more

Without words

The diversity that formed such an essential part of our collective architectural identity – and which has fuelled often ferocious debate – appears to be flattening under a series of washed-out filters.

Read more

Words make you accountable

As the slow world of formal writing seems to fade into history, the question before us is whether architects will continue to write, as they have for centuries, or will memes and emojis become the universal measure of appreciation and success.

Read more

Architect at Home: Madeline Sewall

The Commons: Interview with Madeline Sewall – Associate at Breathe Architecture.

Read more