Hargeisa + architect Rashid Ali

The Pink Pavilion, by Rashid Ali Architects, exposes a miniature garden with perimeter seating, reflective of the acacia tree symbol of communal gathering | Photographer: Lyndon Douglas, 2022.
Courtyard house view | Photographer: Mulki Suleyman

I consider myself a true nomad. My family fled Somalia in the 1990s as refugees seeking new beginnings for their children and settled in Nairobi for almost eight years while they sought asylum overseas. I grew up around grandparents and aunties who designed their own patterns and embroidered on fabrics. I recently received one from my aunt. Precision and patience, this was art! The lesson was passed on to me. I consider myself lucky to have come from a matriarchal society, I have been around strong independent women who crafted their way in life. I had no point of reference and neither did my family to the study of architecture or art, so it was safe to study medicine as it was common practice. Then I took a leap of faith and transferred to Master of Architecture and Bachelor of Construction Management at Deakin University.

Introducing my Hargeisa

I have little memory of my childhood in Hargeisa, Somalia. One of my key childhood memories is when we lived in Nairobi, Kenya (1990-1998) in a large and enclosed central courtyard style architecture complex. The entire complex was about 60 metres by 25 metres made of masonry and was secure with only two entries to the complex. I came to realise later that this courtyard typology was prevalent at the border of Somalia and Kenya. All doors from the private dwellings faced the courtyard; and the courtyard was only partially covered by a verandah that ran around this private/communal edge.

In this courtyard, we lived with our cousins, aunties, uncles, grandparents, and other close family friends. Each family had one or two rooms. All cooking was done outside the private rooms in the courtyard and there was a common/shared toilet and shower facility for all. The children played in one part of the courtyard away from where families cooked or where the washing was hung. Families often cooked together and shared meals – there was such a strong sense of community inside the courtyard walls.

We didn’t always have electricity/light, we relied on candles and paraffin lamps. These are days gone. I miss this type of gathering when sometimes the elders tell stories about things they once used to do. We didn’t grow up with television or toys for entertainment and often made our own toys –windmills out of plastic bottles, cars out of wire and houses out of cardboard. My upbringing allowed me to think outside the box, to engineer and design different elements. This was driven by necessity, and I look back with gratitude.

The Pink Pavilion | Rashid Ali Architects | Photographer: Lyndon Douglas

Introducing architect Rashid Ali

I have recently come across the work of Rashid Ali, a London-based architect who has ancestral roots in Hargeisa. Knowing the struggles Somalia has had over the last three decades, I am inspired by architects like Rashid Ali who are willing to go back and rebuild Somalia.

His recent work resonates with my own thesis on post-war reconstruction (Deakin, 2008). The simplicity of the Pink Pavilion considers a delicate and overlooked need within the urban hustle and bustle of a city like Hargeisa. The pavilion provides shelter in a hot and dry arid environment. In a busy town like Hargeisa, Ali has created a modest and tranquil space, a setting for old time storytelling – as if under an acacia tree; a place for people to gather and exchange information or stop and pause on their journey to work or home to their families. It is both a place to rest – a breathing space in the city; and a space to gain information and interact with others.

The design layout is reflective of the courtyard housing complex in Nairobi, and is also partially covered creating a verandah, allowing natural ventilation. It is accessible to everyone creating a communal gathering space for people to share stories, create embroidery, resolve conflict or merely relax and enjoy the surroundings. Ali’s design is rooted in the traditional Somali lifestyle, one of inclusivity, where the spoken word and shared understanding occur in gatherings.

Most modern pavilions are often temporary with a transient purpose; this is a permanent structure and is thus significant as a reminder of Somali historic tradition and stories once told under the Acacia tree rooted in the red earth.

Mulki Suleyman is a principal project manager at Homes Victoria.

Published online:
08 Jan 2024

Source:
Architect Victoria
Migration. Women. Architecture.
Edition 2
2023

More from Architect Victoria

Tehran + architect Kamran Diba

Tehran is a busy metropolis with densely packed housing and small galleries, parks, cafes and restaurants in the pockets of every main street. A stroll ...
Read more

The importance of Gender Impact Assessments in shaping future cities

The Royal Commission into Family Violence and resultant legislation has brought about changes to the way that built environment professionals are required to approach design. The ...
Read more

At home with photographer Dan Hocking

What does the concept of home mean to you? Home is a place where I’m at peace and have access to the things that are ...
Read more

Off Grid House: Archier

Located within a treasured landscape, this origami-like family home envelops several generations under one roof while mimicking tones of the mountain rocks and the creek ...
Read more

Matsuyama + architect Hiroshi Sambuichi

Matsuyama, on Shikoku Island, is known as the City of Haiku, with heritage architecture associated with notable haiku poets.
Read more

Siedmiorogow Drugi + architect Jadwiga Grabowska-Hawrylak

Jadwiga Grabowska-Hawrylak’s earlier housing project, Maisonette Apartments, built in 1960, was a modernist undertaking and the first in Poland to have apartments spanning across two levels.
Read more

What does the future city look like? Next question

A conversation between Mike Hewson and Sunday Hyde
Read more

Wilam Ngarrang Retrofit: Kennedy Nolan

The Wilam Ngarrang Retrofit, a minimal intervention renewal of a 1970s walk-up apartment block in Fitzroy, demonstrates the benefits of adaptation over demolition and the housing sector’s latency in ...
Read more

At home with photographer Tom Ross

What does the concept of home mean to you? Jeepers. All the clichés, about family I guess, but also I want it to act as a constant ...
Read more

Saigon + architect A21studio

A21studio is a small architectural practice in Saigon. Their work challenges the typical urban residence which is often detached from the Vietnamese lifestyle and climate. ...
Read more

Bendigo Law Courts: Wardle

Highlighting how the justice system in Australia has shifted, and how we might continue to grow in how we approach diversity, Bendigo Law Courts by ...
Read more

Radical resource custodianship

Circularity is a system of material re-use and regeneration where we ask: What resources have I got at our disposal to bring to life what I ...
Read more

Yakimono: Russell & George

A layered sensory experience, Russell & George’s Yakimono draws on the experience of a typical late-night Izakaya to plate-up a restaurant that is reminiscent of Japanese concepts, without ...
Read more

Valparaiso + architect Cazu Zegers

Composed of forty-four hills and a flat area oriented to the bay, the busy and sometimes worn-down working port of Valparaiso, Chile, is a natural ...
Read more

Darebin Intercultural Centre: Sibling Architecture

By prioritising community as the driving force behind their design, Sibling Architecture’s Darebin Intercultural Centre stands as a welcoming new community facility, aspiring to nurture meaningful ...
Read more

Guangzhou + architect Atelier Deshaus

Guangzhou, my hometown and where my grandparents live, is the capital and largest city of Guangdong province in southern China. It is a bustling city with ...
Read more

Garden House: BKK Architects

Garden House is an enduring home which successfully creates a spatial model that is specific to the couple occupying it (and their two cats). It ...
Read more

Deco House: Mihaly Slocombe

Preserving the historic fabric of the original Art Deco building, Mihaly Slocombe have created a home filled with light. Providing room for a family to ...
Read more

Nightingale Anstey: Breathe

Homes are complex places, and we expect a lot from them. It’s easy to forget the range of functions that they are often required to ...
Read more

Creating an underwater garden

City skylines increasingly feature roofs and walls that are covered in foliage to trap stormwater and moderate internal climates. This approach to greening is now ...
Read more

This form is now closed.