Architectural photography

A photo essay of architectural photography. Daniel Moore asked established architectural photographers about their first memorable project, finding their way into the profession and/or working with early career architects.

Peter Clarke | Sacred Heart Primary School | Arco | Branch Studio
Peter Clarke | Arco | Branch Studio

A detailed image of a Branch Studio project is an expression of their understanding of the whole. These moments are fundamental to their exploration of materials and space.

Derek Swalwell | Fullerton Hotel, Singapore | Shooting for design firm Ong and Ong Pte

When I started out I always had the intention of working beyond Australia. Singapore was close, I canvassed myself there by email for probably about a year before meeting some architects. I managed to secure a good list of practices, who would book me for back-to-back jobs. I am looking at heading back in early 2022 after a long break due to COVID.

Ben Hosking | House A | Kate Fitzgerald of Whispering Smith

Having lived together in a cold Carlton share house in our early 20s while studying, myself at RMIT and Kate at the University of Melbourne, we had little idea that we’d be collaborating over 10 years later, as both colleagues and good friends.

Elizabeth Schiavello | Court House | Michael Carr Architects | Stephen Reed Landscape

Designed by Philippa Carr alongside Michael Carr, Court House was Philippa’s first project as a registered architect following her time working in France.

Working closely with Brett Thompson of Surf View Builders, who provided guidance and support throughout the project, Philippa gained invaluable knowledge of the end-to-end residential construction process and came to understand first-hand how a positive and reciprocal relationship between architect and builder can deliver excellent outcomes onsite. It was a wonderful collaboration to be a part of.

Martina Gemmola | Keano | WOWOWA Architecture

Imperative in early career architecture is the championing of bold vision from the outset, and the encouragement and nourishment by your architectural family. This project by Zoe Diacolabrianos of WOWOWA Architecture is the perfect example of that philosophy, and I am here for it.

Tatjana Plitt | Mihaly Slocombe

This image is from a Mihaly Slocombe project I shot in 2015. It is etched into my memory because it is such a simple detail-shot that ended up being the most successful of that shoot. It became an inspiration image we referred to on subsequent photoshoots. Working together over the years, we have built an image reference library of sorts, a kind of common language. I feel quite nostalgic about this image; we were at the earlier stages of our practices at the time and it’s been a lovely experience growing up together.

Tess Kelly | Type St Apartment | Tsai Design

Instantly you know that this is an architect who has something unique to offer the Australian architectural scene. It’s incredibly exciting to see that this is the level that they are thinking and producing within their first solo projects.

Type St was the first project I photographed for Jack. It is not an elaborate project in the sense of material and scale but rather a highly considered, practical, fun and functional response to a 35 metre-square apartment. With hidden features and convertible spaces, the clever small footprint project is humble and refreshing.

Tom Ross Overend Placement Studio

Speaking to Steph Kitingan: seeing your ideas, trapped so long as just that, finally realised. At first seeing bricks and timber, then absorbing how the place feels, compared to how you hoped it would feel.

Dianna Snape | Aesop, Doncaster | Russell and George

Early architecture is where a lot of the magic happens – small budgets, eager architects and big ideas. A trusting collaboration between architect and photographer often produces profound outcomes and if you’re lucky some life-long friendships. Ryan’s design for Aesop Doncaster was the beginning of a revolution in retail design with brands like Aesop engaging budding architects to transform their stores into destinations.

John Gollings

In 1979 I was on the awards jury for student projects. Peter McIntyre was the jury chair, Roger Wood, still at university, was the student representative, and Norman Day was getting established as a writer and critic via Robin Boyd’s office. I was ex-architecture school, coming to architectural photography via advertising work with a new narrative style and compositional strength.

This photo is prescient, we were young and enthusiastic, but worked courageously and creatively, following our own intuition and history has borne out the value of that approach.

Published online:
11 Jan 2022

Source:
Architect Victoria
Edition 1
2022

More from Architect victoria

Ozanam House: MGS Architects

Joshua Darvill, coordination, engagement and participation manager at Ozanam House provides a snapshot of the services provided, long-term sustainable outcomes and reassessing the needs of the community.

Read more

Investment in affordable housing quality: Why the industry should support it

Recently, we have seen many news stories pointing to the bounce back and now surge in house prices in our capital cities. With this, a host of public servants, politicians, residential property investors, and homeowners sit back content, another KPI met, clearly all is well in the garden. The low interest rates, the decades-long incentives rewarding this investment are working. But are they? Are we getting the housing infrastructure we need, in the locations and in the form and tenure required to build the Australia we need economically and socially?

Read more

Building a folio

We fell into our practice with little planning, much optimism and a dose of imposter syndrome. Our first project was to blame; a friend was starting a cafe and bar in a beautiful art-deco building on Carlisle Street and we were doing the fit-out. With the promise of a prominent built project on the horizon, we felt sure that we were on our way (spoiler: we were pretty wrong).

Read more

Richmond House: Therefore

Director Alex Lake shares how Therefore has spring boarded into residential architecture from a prior base of commercial work – “an atypical direction given most small practices begin with residential work”. 

Read more

NGV Triennial Outdoor Pavilions: BoardGrove Architects

For the National Gallery of Victoria’s 2020 Triennial outdoor program, BoardGrove Architects designed a collection of transient pavilions situated in the gallery’s Grollo Equiset Garden. Drawing on their diverse experience, BoardGrove designed a novel response that skillfully responded to the project brief’s size and budget.

Read more

Revisited: Some aspects of housing overseas

With more funding available than we’ve seen in a generation, there is the will to reimagine social housing sites. Architects, urban designers and public servants have duly taken up the subject. But how to frame the problem?

Read more

Generation Exchange

In the rapid exchange of information that is now a daily reality of contemporary practice there seems to be little time for wisdom. Speed rules. Communication is dynamic. Considered correspondence remains an obligation of our profession yet the hourly deluge of emails that we all deal with in practice is anathema to this fundamentally important component of our practising modality.

Read more

Brunswick Lean-to: Blair Smith Architecture

Brunswick Lean-to is a discrete addition to a heritage-listed weatherboard cottage. The project draws upon the ubiquitous lean-to it replaced; a colloquial structure often overlooked or demolished in the event of an extension. Blair Smith Architecture demonstrates sensitivity and depth of thought, addressing opportunities and constraints through site-responsive spatial planning and the packaging of multifunctional elements in a robust, utilitarian structure.

Read more

Process over product

Breathe’s project for Aboriginal Housing Victoria has been approached with rigour to deliver a high-quality project embedded with sustainable design principles and cultural engagement.

Read more

This is not my Country

This is not my Country, and because it’s not my Country, I cannot speak on its behalf. This statement is true for me, and almost every built environment professional in Australia, so how can we work on and with the Countries that we are responsible for fundamentally modifying?

Read more

Social housing architecture

A visual essay of contemporary social housing projects in Melbourne and regional Victoria from some of the architects and providers working in this important space.

Read more

Architect at Home: Nick Harding

Interview with Nick Harding, Principal of Ha Architecture.

Read more

The value of being a carbon neutral practice

Jeremy McLeod and Madeline Sewall of Breathe Architecture on sustainability, right-sized housing and building more with less.

Read more

Architecture as host

Can we improve the responsiveness of our architecture through our own experience?

Read more

Profile: Fowler & Ward

Interview with studio founders Jessie Fowler and Tara Ward.

Read more

Sorrento House: Cera Stribley

Learning from the existing architecture, Cera Stribley developed a framework for making subtle alterations synonymous with the original house.

Read more

Editorial: Lost for words

How we understand architecture, how we share its values and how architecture is situated within our changing world, is literally unthinkable without the written word.

Read more

Written and curated

Architectural journals are powerful agents in the story of architecture.

Read more

Profit, publish, and perish

Words in the university sector

Read more

Humour is a universal language

Sharp wit and a touch of well-timed sarcasm can be the first door for a populist audience to walk through in contemplating what is right and what is fundamentally wrong with our modern built environment.

Read more