Thermal comfort modelling of Top End remote Indigenous housing in the Northern Territory
Remote Possibilities: The Aboriginal Domain and the Administrative Imagination
Garma Cultural Knowledge Centre
The Garma Cultural Knowledge Centre is a significant cultural centre. Completed in 2014, the built project operates as an adult learning centre, meeting place and a place to protect and showcase cultural artefacts. It is also the site where Yolgnu Elders practice and preserve culture through the Garma Festival. The permanent construction of the centre was intended to enable further activities at the site.
Aboriginal mobility and Sustainability of Communities: Case Studies from North-West Queensland and Eastern Northern Territory
This working paper series aims to consider the role of mobility in sustaining and expressing Aboriginal attachments to places and social relations, as well as the relationship between mobility and service needs. It considers this with the context of the existing culture of mobility amongst the Aboriginal population of Australia. The paper draws on case studies of Aboriginal mobility from an Australian Housing and Urban Research Institute (AHURI) funded research project.
Uluru-Kata Tjuta Cultural Centre
Uluru-Kata Tjuta is a built project and cultural centre. It’s built sustainability, emphasising a responsibility to the environment and as a celebration of Anangu culture.
Kununurra Courthouse
Kununurra Courthouse is a civic building. The Courthouse was built in response to the historical alienation of Aboriginal people from community and place within courtrooms. The building responds to the different needs of the Indigenous community. The narrative of the structure engages with local Aboriginal culture and responds to landscape and Country.
Djakanimba Pavilions
Djakanimba Pavilions – conceived as adaptable, modular, cool, local, theatrical and fun, the Djakanimba Pavilions use fold-up and fold-down solutions for local people, travellers, training places, itinerant exhibits, and many other needs. The Djakanimba Pavilions support local indigenous enterprises that facilitate training, employment, remote art, performance and culture., Djakanimba Pavilions – conceived as adaptable, modular, cool, local, theatrical and fun, the Djakanimba Pavilions use fold-up and fold-down solutions for local people, travellers, training places, itinerant exhibits, and many other needs. The Djakanimba Pavilions support local Indigenous enterprises that facilitate training, employment, remote art, performance and culture.
Women’s Safety Services of Central Australia Shelter
The Women’s Safety Services of Central Australia Shelter in Alice Springs provides crisis accommodation for women and their children who are experiencing domestic violence, offering safe respite, restoration of dignity and respect to those finding themselves in need of its shelter.
Groote Archipelago Housing Project
Groote Archipelago Housing Project is the incorporation The Groote Housing Master Plan and the Groote Housing Guide into a built project. The strategy was to improve the poorly built and culturally inappropriate houses in Groote Eylandt with 100 new houses. The project’s goal was to build no more than 6–10 culturally and climatically appropriate houses per year and design them for long term and in such a way that local contractors can do the work. The Fulcrum Agency began work on this project 7 years ago and it is ongoing.
Wilya Janta (Standing Strong) Explain Home 1
Wilya Janta is an Aboriginal-led organisation dedicated to bringing culturally safe and climate-appropriate housing to remote Aboriginal communities in the Northern Territory. Established in 2023 by Warumungu Elders, the organisation centers Aboriginal voices in housing design and creates homes that listen to Country and to the people who have cared for it for over 60,000 years. The aim is to produce homes that are safe, functional, and culturally empowering.
The first Wilya Janta home was developed over two years in collaboration with a Warumungu family. The design was guided by cultural protocols, environmental conditions, and the financial and logistical challenges of remote construction. Modular building methods were adopted, with transport limitations directly shaping the home’s footprint. Within this framework, the layout reflects cultural priorities.
The house features deep verandahs that provide shade, enable outdoor living, and accommodate extended family during ceremonies or community events. These verandahs also support cultural avoidance practices by allowing people to move freely. Bedrooms are oriented east-west in line with Warumungu sleeping traditions, while two living rooms provide space for different kinship groups. Multiple bathrooms, accessible both inside and outside, offer privacy and flexibility for visitors. Universal access is built in, with ramps, wide doors and accessible bathroom allowing elders to age on Country.
The design responds to climate with breezeways, cross-ventilation, and orientation to capture cooling winds. Mudbrick walls made from anthill and spinifex provide thermal mass and improve comfort within the lightweight structure. Outdoor areas include a bough shed, vegetable garden, pond, and grassed play spaces for children. An outdoor kitchen with an open fire forms the communal heart of the home, celebrating traditional cooking and cultural practice, while mudbrick windbreaks protect these outdoor spaces from prevailing winds.
The Wilya Janta Explain Home sets out a new model for Aboriginal housing. It is culturally grounded, environmentally responsive, and adaptable to contemporary life. It shows how design can sustain cultural identity while delivering affordable and scalable housing solutions for Central Australia.