Walanga Wingara Mura Design Principles
A written document published by the University of Sydney. The document informs how institutions belong to Country and how they should approach designing and building on Country by outlining the principles three directives: Engaged Enquiry, Community of Practice and Mutual Accountability.
Third Space, Architecture & Indigeneity – Studies of Designed Environments and Cultural Narratives in Australia
The University of Sydney, digitally published thesis discusses the need for more in-depth conversations that encompass conceptual frameworks relevant to First Nations cultures and presents the qualities of a Third Space. Further, it discusses that it can inform ways of thinking that link architecture and cross-cultural engagement with placemaking in contemporary settings, deep time living practices and colonial interventions on the Australian continent between beings. Focusing primarily on reciprocity in thinking—giving back—and how it informs more nuanced and inclusive approaches to architecture and placemaking as always becoming part of Country.
Shaping Country
A written research report about cultural engagement in Australia’s built environment. The report focuses on adapting the way processes are used to design built environments to include community, culture and Country.
South Eveleigh Native Rooftop Farm
This garden was co-designed by members of the Local Indigenous Community. The space features diverse plants with focus on Sydney Region species and reinvigoration of cultural cultivation practices. The built project also creates habitat for both people and wildlife.
From smokebush to spinifex: Towards recognition of Indigenous knowledge in the commercialisation of plants
The article From smokebush to spinifex explores Indigenous knowledge in commercialisation of plants, including the diverse relationships with plants and their seeds. Author Terri Kanke acknowledges the cultural knowledge systems, deep histories and sophisticated knowledges that link culture and the natural environment. The articled explores western approaches, institutions and history with collecting Australian plant materials, their different approaches and the lack of culturally based Indigenous ownership in knowledge. The article aims to promote more robust inclusion of Indigenous rights, interests and concerns.
Eora Journey Harbour Walk Storytelling Report
The Eora Journey – Harbour Walk Storytelling Report is a draft for the City of Sydney. The written report provides the foundational storytelling framework and recommendations to guide the implementation of the Harbour Walk being developed by the city in collaboration with community members and project partners. The document was last updated September 2019.
Narrative, Self and Engagement: An Immersive T(r)opical Experience
This paper is written to be a reference tool for educators who wish to expand their design studio learning environments. The paper discusses the complexities of acknowledging and understanding the interface of cultures that exist within our society. It outlines a workshop methodology that embeds cultural differences and acceptance into design studio thinking.
Aboriginal Cultural Values: An Approach for Engaging with Country
A document providing an approach for engaging with Country, community and culture, as part of planning, design and environmental management disciplines. Included is an overview of a process for developing a masterplan framework for caring for Country. This written document is directed towards planners, environmental managers, architects, designers, engineers, public servants, developers and decisionmakers who are directly affecting Country through their work.
A Country-centred approach to civic biodiversity
The article takes a Country-centred approach to civic biodiversity. It outlines Indigenous Knowledge and how they can be applied to the built environment through Indigenised biodiversity.
The Museum of Applied Arts and Sciences Australian Indigenous Cultural and Intellectual Property Protocol
This document is the Australian Indigenous Cultural and Intellectual Property Protocol for The Museum of Applied Arts and Sciences (MAAS). The MAAS encounter a broad range of Indigenous Cultural Material, including within their own collection. The main purpose of the document is to recognise Indigenous peoples’ rights surrounding their cultural heritage (ICIP) and to detail the principles that guide how MAAS engages with Indigenous peoples.