Tasmania
Located on the 1st floor of a 1960’s building in St John St Launceston, the Dill Pickle Club is a ‘listening bar ‘; a type that features high quality sound systems and encourages the lingering enjoyment of music. To provide an atmospheric interior to mix with the delights of hi-fidelity music, sophisticated drinking and great company, we wanted to capture something of that endless, enchanting moment experienced within a night-time bar.
Rather than follow the logic of one concept, an overlapping of design references – and the times they belong to – articulate each design aspect: dark blackwood lined trusses conceal structure while recalling eastern bloc modernism, materials and details add the warm luxury of a jazz age speakeasy, elsewhere there are nods to the gold record and the reel-to-reel tape player. Together they make an interior to transport you elsewhere while surrounded by elevated views of where you are.
We wanted an elegant and exciting interior, with mid-century modern flair and amazing acoustics. A world-class design that would raise the bar (no pun intended) for hospitality in Launceston. Workshop embraced this ambition, their enormous enthusiasm clearly seen in the result.
We always felt in safe hands – the team has been a joy to work with – and not only does it look great, it sounds great. Comfortable for customers and to work in, we have ample workspace yet can easily interact with customers.
The positive response has been overwhelming, many people thanking us for bringing something like this to Launceston.
Simon Whibley, Design Architect
James Staughton, Design Architect
William Heath, Project Architect
The Australian Institute of Architects acknowledges First Nations peoples as the Traditional Custodians of the lands, waters, and skies of the continent now called Australia.
We express our gratitude to their Elders and Knowledge Holders whose wisdom, actions and knowledge have kept culture alive.
We recognise First Nations peoples as the first architects and builders. We appreciate their continuing work on Country from pre-invasion times to contemporary First Nations architects, and respect their rights to continue to care for Country.
