St Thomas More Columbarium | Simon Pendal Architect

St Thomas More Columbarium | Simon Pendal Architect | Photographer: Leo Showell

2026 National Architecture Awards Program

St Thomas More Columbarium | Simon Pendal Architect

Traditional Land Owners

Whadjuk Noongar

Year
2026
Chapter

Western Australia

Category
Small Project Architecture
Builder
Element Builders
Photographer
Leo Showell
Traianos Pakioufakis
Media summary

Three limestone towers, open to the sky are held by a tear-drop shaped brick pavement, set amongst existing trees in a new, expanded garden. When designing the new Columbarium, we looked to its origins, their role in collective internment, dignity, and their atunement to the otherworldly, the sky, weather, time and season.   The towers hold the central space. The entrance of each tower centred upon its own tree.

The niches are arranged as octagonal-shaped rooms. In the Catholic tradition the octagon symbolises resurrection, new beginnings, and eternal life.

A pentagonal shaped seat made from solid hardwood sits at the centre of each tower. In the Catholic tradition the pentagon represents the five wounds of Christ.

The trees in the garden are of two types – Peppermint and Almond. Peppermint trees (Wanil in Whadjuk culture) are important for ceremony and habitat. In the Catholic tradition almond trees symbolise divine favour.

Project Practice Team

Simon P, Design Architect
Marco deGois, Graduate of Architecture

Project Consultant and Construction Team

CAPA Studio, Landscape Consultant
Forth Consulting, Structural Engineer
Oceanside Consulting Services, Electrical Consultant
HW Associates, Quantity Surveyor
Taycon, Building Surveyor

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